彼の数ある作品にはとてもよいアンビエントアルバムがあります。LP4枚組「Trial By Intimacy (The Book Splendours)」の一枚である（その後、CD再発／現在廃盤？）は、David Sylvian「Gone To Earth」のような地平線サウンド×K.Leimer「Land of Look Behind」のニュー・ウェーブ感覚の小品集。素晴らしい。
Label: Cocteau Records Catalog#: JC 6 Format: Vinyl, LP Country: UK Released: 1984 Originally released as record 1 in the 4 LP box set "Trial By Intimacy (The Book Of Splendour)".
A1 Antennae Two 0:47 A2 Transmission (N.B.C. 97293) 3:49 A3 The Sleep Of Hollywood 1:40 A4 The Celestial Bridegroom 2:59 A Under The Red Arch 3:09 A6 Orient Pearl 2:26 A7 Sacrament 2:45 A8 Falling Blossoms 3:01 A9 The Difficulty Of Being 0:53 A10 Zanoni 2:04 A11 The Chinese Nightingale 1:23 B1 Tantra 1:29 B2 Soon September (Another Enchantment) 1:50 B3 Rural Shires 2:49 B4 Perfidio Incanto 1:17 B5 The Lost Years 2:28 B6 The Charm Of Transit 3:44 B7 Night Thoughts (Twilight Radio) 1:28 B8 Wysteria 0:40 B9 Swing 2:30 B10 Snowfall 2:03 B11 Realm Of Dusk 3:02 B12 Over Ocean 1:28
Well, okay, there might be a few guitars wandering around, but this is by no stretch a "rock album." The CD contains 23 tracks, more of Nelson's ruminative work, over in the corner between ambient & orchestral. Six climb over 3:00. A few have a beat (as opposed, of course, to a rhythm). Though even Nelson's "failed" experiments are fascinating, this further compilation of his diary entries has two tunes that presently bear repeating when I play the disk, & they are "Realm of Dusk" (track 22) & "The Charm of Transit" (17). These CDs continue to inspire my grasp of synth tonalities, which is remarkable given the hardware Nelson had in 1983. He probably could have single-handedly humiliated Depeche Mode (whose work I enjoy) if he hadn't been so burned by his early pop-icon experiences. Stylistically, I'd place this disk somewhere between "Optimism" & "Chance Encounters." from amazon
Label: Palace Of Lights Catalog#: none Format: Cassette Country: US Released: 1983
A Art And Science B1 Go Slowly B2 Very Tired
This music was produced specifically for performance and installation. Art and Science is an extract from a one week long installation. The system comprised four non-synchronous closed loope stereo tape players, the type used in commercial music systems. These played loops of different durations with like and dissimilar information on each of eight tracks.
Label: Made To Measure Catalog#: MTM 31 CD Format: CD, Album Country: Belgium Released: 1992
Vol. 31 in the "Made To Measure" Series. Recorded in London from 1981 to 1991.
"This music has been recorded for films, television, dance or other purposes under variety of conditions. The instruments are mostly acoustic sources usually subjected to processes which derive from the malleability of tape as a physical medium. Occasionally there is the sound of a recognizable instrument, but the rest of the sound is a false acoustic space of treated sounds looping, delaying, reversing and being stretched and overlaid in a number of ways." (Text excerpts from the sleeve).
The music on this CD was recorded for film, television, dance or other purposes under a variety of conditions. Some pieces began as a speculation in the studio, some were made to picture and some are reworks or reductions of other work. The instruments are mostly acoustic sources usually subjected to processes which derive from the malleability of tape as a physical medium. Occasionally there is the sound of a recognizable instrument, but the rest of the sound is a false acoustic space of treated sounds looping, delaying, reversing and being stretched and overlaid in various ways. The choice of input material for these processes comes in part from the relationship of this music to context, to the slow and ambient nature of the film and television images it originally served as atmosphere, counterpoint or sub-text. Within these structures texture, continuity and acoustic space are as important as melody or harmony - an example is the way that many of the tracks fade in and out creating the possible context of an unheard continuity, a time-based frame which can imply unheard music before and after the known material. Here the listener is removed from direct reference to physical space, that being an act of imagination. One principle behind this (usually incorporated unconsciously), is to create the opportunity for the listener to explore a method of listening which is not based on the prescriptive nature of classical form or that of European art music. Whilst the aesthetic of a recorded orchestra suggests an acoustic reality, this music is, in part, attempting to alter that reality to suggest or imply an unknown or impossible acoustic space, to allow associations which are not possible within the concert hall such as a set of relationships between music and the natural world. Much of the music is created in such a way that the structure of the sounds is deliberately simple, allowing the illumination of aspects of the sound or texture that would not be so apparent with conventional melody, in a way attempting to explore inside the sound -this is best seen on tracks 1, 3 and 13, (and in a related way, track 8), where sounds are repeated at different pitches in such a way that the pitch is allowed to determine the length of the sound and the frequency of the repetitions, thereby revealing the time-based relationship of pitch to rhythm. These structures allow the possibility, if the listener should choose, to listen actively and analytically. This invention or re-invention of a structure of harmony based on the relationship of pitch to time is a logical extension of my compositional choice to work with sound as a physical medium, a recorded signal, rather than a historical prescription of notation, organisation and performance. If this is or has been film music it is not the narrative of the hollywood or bollywood epic, rather it has something to do with works which have a different structure; film as document or atmosphere, the European or Japanese art movie. David Cunningham 1992
1 stars 5.17 A reworking of existing material, loops made from elements of the multitrack master of the track 'Glide/Spin' on the album 'Fourth Wall'. Originally made for '5 Closedowns', my series of television pieces made in 1983. The images are all of reflections on slow moving water in bright sunlight.
2 the next day 2.23 See track 15 - an extension based on similar source material made, naturally enough, the next day.
3 once removed 1.54 A more minimal version of the technique used on track 1, the source is one guitar multiplied about 10 times at 4 different pitches.
4 the fourth sea 2.20 Made for Ashley Bruce's Fragile Earth documentary on the polluted Mediterranean. The fifth sea, recorded the same day, became 'the mirage' on the greaves, cunningham CD (piano 506).
5 white blue and grey 4.58 A remix of an unused film soundtrack minus drums, bass, saxophone solo, etc.
6 shade creek 2.33 The first of a series of multiple guitar pieces made in 1986 in which my main concern was to usefully employ the failures and idiosyncracies of my ability on the instrument.
7 short winter's day 4.05 For Chris Rodley's 1992 documentary 'Naked Making Lunch' on William Burroughs and David Cronenberg.
8 blue river 3.59 A reworking of material used in the Mediterranean documentary (see track 4). This forms the second release of an occasional series built around phasing repeating phrases; the first is 'one summer' on the greaves, cunningham CD (piano 506).
9 beneath the vines 2.56 The fourth 1986 guitar piece, see track 6.
10 yellow river 6.04 Again made for '5 Closedowns', for this sequence the water reflected a yellow so saturated that it reproduces differently on every television set.
11 low sun 2.27 As track 7, for Chris Rodley's documentary, a slowed down remix of fragments of a song never mixed or otherwise used.
12 only shadows 3.20 Made for a restaurant scene in a work for television by Robert LePage. Reworked from an earlier track (see track 5) using the elements left out of that version.
13 a liquid hand 2.51 See track 3, a similar structure.
14 dark ocean 2.07 Derived from a series of delay loops of which others provided some of the music for Ken McMullen's film 'Zina' (1985).
15 the same day 7.01 Made for a gallery installation by Deborah King, within a 24 hour deadline, the theory being that it took less time to make a new piece than to search through old tapes for something suitable. On that particular day Grenville Davey was welding next door and his power drain affected the speed of my analogue tape recorders, creating a subtlety of tuning that would be impossible with digital machines.
Label: Own Records Catalog#: OWNREC#47 Format: CD Country: US Released: 01 NOV 2009
01 Into The Magic Night 3:52
02 Autumn Eyes 3:36 03 The Promise Of Spring 4:01 04 Crystal Window 5:27 05 Maplecopter 8:04
06 What Birds See 3:31 07 Orange Saturday Morning 5:34 08 River Bends Park 7:27
09 The Green Bridge 3:05
Mastered By - Taylor Deupree Music By - Green Kingdom, The Photography [Cover] - Loretta Brazalle Producer - Michael Cottone Written-by, Performer, Artwork By [Design], Photography [Inside] - Michael Cottone
The Green Kingdom is Michael Cottone, a graphic designer and sound artist based in Michigan. His compositions blur the line between soundscape and structure, utilizing a variety of processed acoustic and electronic sources, sampled textures and field recordings. RIYL: Mountains, Shuttle358, Fenton, The Boats, Sawako, Harold Budd. http://www.ownrecords.com/
デトロイトのグラフィック・デザイナー/サウンド・アーティスト、MICHAEL COTTONEによるソロ・プロジェクト、the green kingdomの新作が、良質なフォークトロニカ作品をリリースするルクセンブルグのown recordsよりリリース。
フランスの12kともいうべきSEMレーベルよりリリース後、The Land OfからCD-Rを、Smallfishより3インチ作品（しかも100枚限定！）と仕入れ泣かせなリリースが続いてきたわけなんですが、今回はきちんとしたフォーマットでのセカンド作品です。しかもマスタリングはTaylor Deupeeときてます。 アコーステックの持つ温かく心地よい雰囲気は前作以上で、アコースティック、エレクトロニクス、サンプリングにノイズ、フィールドレコーディングスをバランス良く配置して、繊細なサウンドスケープを作り上げています。ノスタルジックさを引き立てる、メロディアスさはこれまで以上に多くのファンを増やすことでしょう。 http://www.pastelrecords.com/SHOP/the_green_kingdom_pl-382.html
これまでHeldernacht、SEM、Smallfish、The Land Ofなどの良質なレーベルから作品をリリースしている、デトロイトのMichael CottoneによるThe Green KingdomのフルアルバムがルクセンブルクのOwnからリリース。 ウォーミーなまどろみのシンセ〜やわらかいエレクトロニクスがゆったりと漂うやさしい空間に、クランチノイズ〜グリッチノイズなどの微細なまたたきや、フィールドレコーディングサンプル、断片的なアコギフレーズ〜淡くぼやけたギターサウンド、ベルや鉄琴などの音色もデリケートに漂わせたファンタスティックなエレクトロ・アコースティック〜アンンビエント・エレクトロニカ〜エクスペリメンタル・サウンド。これまでのアルバム同様に、今作も生音とエレクトロニックサウンドを上手く組み合わせて、メロウで儚いサウンドがゆったりと染み渡る美しいサウンドを作り上げています。これまでのHeldernachtやSEMなどからの作品のファンだったかたはもちろん、Mountains〜Koen Holtkamp、Boats、Novisad、Taylor Dupree、Shuttle 358、Sawako、Rameses III、Bexar Bexarなどなどの、12K、Flau、Moteer、Apestaartje、Typeあたりの綺麗目のエレクトロニックサウンド+生音の作品のファンのかたにオススメです。マスタリングをTaylor Deupreeが手がけています。全9曲44分収録。 http://www.linusrecords.jp/products/detail.php?product_id=4596
Label: Amorfus Music Catalog#: AMORFUS-010Y008 Format: 12 x File, MP3, 320 kbps Country: US Released: 25 Jan 2008 Genre: Electronic Style: Glitch, Field Recording, Ambient
This collection of tracks consists of minimalist electronica, glitches, field recordings, and textures. Each track is a unique assemblage or collage of sounds, tones, and textures. As such, these tracks might be classified as experimental, but their intent is to be ambient, reflective, poetic, emotional, and evocative. phillipwilkerson.net
Netlabel Releases Ambient Series Ege Denizi (with Tange) [earman080] Transience (with Sylvie Walder) [earman063] Still Point [earman047] Across An Imaginary Sky [Archive.org] Cold Moon Drift [Last.FM]
EPs NEW! - Williams Park [bp038] Midland [rb057] Incidents In Spring [bp016] Seven Piano Improvisations [Archive.org] Transparent Joys [Jamendo]
Artwork By [Cover] - Daniel Pipitone Composed By, Recorded By, Performer - Ben Cox Mastered By - Robert Deaner
The music on "On Water" rejects the notion that music must make a narrative statement, and instead embraces the idea of music as an organized sonic experience. These pieces are not portraits; they are rather landscapes or still-lifes. These subtle, minimal treatments are reminiscent of Brian Eno's "Music for Airports" and Eno and Jon Hassell's "Fourth World" music. Ben's multi-instrumental talents shine through in this shimmering, floating body of work. Ben has been a musician for twenty-five years and a recording engineer for fifteen years. His lifelong interest in music has taken many forms over time, from playing trumpet in jazz bands to singing bass in an informal renaissance music group. His interest in electronic music follows from interest in experimentation with musical formal structures, metrical and rhythmic complexity, and the wide sonic palettes made possible by electronic instruments and electronic manipulation of acoustic sound sources. His musical works reflect these interests, and have been heard in television and radio advertisements, installation projects, and at trade shows, in locations ranging from Indiana to Australia. http://www.cdbaby.com/cd/bencox
a stunning release featuring beautiful and warm ambience.
"On Water" by Ben Cox is a lovely recording filled with fluid drones and vivid imagery. Sparse and darkly beautiful in its use of sound, Cox has created a work that envelopes the listener in a liquid embrace. A wonderful example of the expressiveness of dark ambience, and a fine example of the emotionality of drones. "Anhinga" opens the disc with a beautiful blend of simple guitar and piano notes played overtop a droning background. "Merganser" follows, a dark ambient drone coupled with distorted guitar and minimal vocals weaving throughout to create a stunning piece. "Willet" returns the disc to brighter territories, a synthesis of piano and field recordings matched with high bell tones. There's a sense of hope and renewal to this track, discovery and possibility despite the threat of oncoming rain. And really, who can't use a little more hope? Track four, "Gannet", is a spiralling piece that gives a sense of movement and fluidity around a centre or fixed point, growing as time passes, gaining clarity and form as the piece progresses. Very powerful and very beautiful. The fifth piece on the disc, "Grebe", continues along the brighter path of ambience, with small arpegios and bright flourishes interspersed throughout a steady drone. "Plover" follows, a series of pads mingling and entwining with an ebbing and flowing pulse. Trumpet swells throughout adding an organic quality to the track, the feeling of a living organism. "Pray for Rain" closes the disc, light hand percussion playing throughout the piece overtop slight synth patterns. A stirring, fluid track to close the disc. Wonderful. Without doubt, "On Water" is an impressive collection of drone-based work, a series of pieces that cover a wide range of emotions and environments. Highly recommended for the obvious fans of drones and dark ambience, and for those who enjoy the creation of new and distinct environments. Beautiful work. rik - ping things http://www.pingthings.com/BENCOXwater.htm
A1 Gibbon In Glass - Sound A2 Kakadua In The North A3 Orso E Foca A Villa D'Este A4 Coro Di Scimmie B1 Canzone Di Lupi Con Basso Continuo B2 Cervo E Gibbone Nella Civiltà B3 Vogelorgel B4 Il Mare Degli Animali
Label: Amduscias Records Catalog#: [AMR188] Format: File, MP3 Country: US Released: 2008
"Desohll is Joomoonaz from the Netherlands. He draws inspiration from various sounds made by Mother Earth, in one way or another. This release is aqua-based. It reveals Gaia's droning nature, whatever sounds in whatever way she produces. Desohll recommends the use of headphones in order to fully enjoy this soundscape http://www.archive.org/details/AMR188
Masahiro Sugaya After completing master class in composition under Joji Yuasa and Teizo Matsumura at Tokyo College of Music, he has worked as musical director in a wide range of fields, including stage, screen, television and contemporary art. He joined to the activities of the dance theater company 'Pappa TARAHUMARA' in 1987, and since then has composed and directed all musical activities. Three of his scores, "Zoo ofthe Sea", "Parade" and "The Bush of Ghosts" have been released on CD.He is one of the standing composers in the field of contemporary music and his style of creations is involving from computer music to Japanese new tradition. Tohoku University of Art and Design Part-time lecturer ACSM116 Management member http://www.amy.hi-ho.ne.jp/masasuga/
Label: Fortuna Records Catalog#: 17071-2 Format: CD, Album Country: US Released: 1990
1 Steve Roach With Darwin Didjeridu Mob, The - Red Dust And Sweat 10:45 2 David Hudson - Call To Kuranda 3:15 3 David Hudson - The Ancient Voice 3:10 4 Steve Roach / Sarah Hopkins - Atmosphere For Dreaming 7:52 5a Steve Roach / Sarah Hopkins - Darktime 7:12 5b Steve Roach With Darwin Didjeridu Mob, The - The Initiation 6 Steve Roach - Origin 4:48 7 David Hudson - Spirits 3:19 8 David Hudson - The Hunter 3:02 9 Sarah Hopkins - Awakening The Earth 14:10 10a David Hudson - Land Sound 5:14 10b Steve Roac - The Dreaming Place
Just as the mythology of the Australian people and their continent was personified through the complex Aboriginal creation stories called The Dreamtime, the land also gave rise to a rich musical culture unlike any other. Australia: Sounds of the Earth captures the primordial hums and rhythms that have emerged from and moved across this continent in the four directions, like the winds themselves since The Dreamtime began. This recording features the didgeridoo, an Aboriginal wind instrument of remarkable flexibility and power, in traditional and innovative formats. Virtuoso solos by Aboriginal artist, David Hudson, are complemented by performances of up to four didgeridoo players accompanied by drums and electronics. Tracing the development of an indigenous music firmly rooted in patterns of existence dictated by the rhythms of the land, Australia: Sounds of the Earth embraces Australia's musical past and present. The riveting performance of cellist Sarah Hopkins, acknowledges the debt 20th century composers owe to the influence of Aboriginal music. By utilizing a combination of bowing techniques and overtone singing, the Australian cellist emulates sounds of the didgeridoo. Producer, Steve Roach, blends the recordings from the outback with their haunting modern echoes by creating evocative soundscapes, and the illusion of a journey through time and space to the origins of these primal sounds. http://www.amazon.com/
Label: Palace Of Lights Catalog#: NMS. 06/2000 Format: Vinyl, LP, Album Country: US Released: 1982
A1 Two Voices 2:39 A2 Confusion In Belief 3:38 A3 Testimony And Honor 4:05 A4 The Outpost 6:00 A5 This Land 2:28 B1 Gun Court 2:57 B2 The Cockpit 8:14 B3 The City Far Below 5:43 Clavinet - K. Leimer (tracks: A1 to A3) Synthesizer, Written-by, Producer, Artwork By [Cover Design] - K. Leimer Tape - K. Leimer (tracks: A1 to A3, B2, B3)
USビート詩人アレン・ギンズバーグがレゲエ発祥の地ジャマイカを舞台に製作したドキュメンタリー映画、"Land Of Look Behind"のサウンドトラック盤。シンセ・ウェイブ系アンビエント
Land of Look Behind is a 1982 documentary film about Jamaica. It was filmed in May and June of 1981 by Alan Greenberg, and was the director's first film. The film's cinematographer was Jörg Schmidt-Reitwein, an associate of Werner Herzog. The musical score is by K. (Kerry) Leimer.The film begins with footage of Jamaica's wild interior region called the Cockpit Country. It also features footage of the funeral of reggae musician Bob Marley. A number of Rastafarians are interviewed, and performers Gregory Isaacs and Mutabaruka are also featured. In addition, Father Amde Hamilton of The Watts Prophets performs a spoken word piece during Marley's funeral service.Land of Look Behind won the Chicago International Film Festival's Gold Hugo Award.Werner Herzog has said in the film's DVD commentary that "This film achieves things never seen before in the history of cinema." The American director Jim Jarmusch writes in the DVD liner notes that Land of Look Behind is "striking...beautiful...near-perfect."In 2007 the film was released on DVD, with interviews of and commentary by Greenberg and Herzog. http://en.wikipedia.org/wiki/Land_of_Look_Behind
Recorded and mixed at Tactical Sound, Jan.-Feb. 1982. "This record represents two aspects of the music for Alan Greenberg's film "Land Of Look Behind". The first side presents material developed from the location recordings made in Jamaica during filming. The rhythm patterns for "Confusion In Belief" and "Testimony And Honor" are based on the Nya Binghi, with vocal material being drawn from monologues that appear in the film. The second side is comprised of a remix and new arrangement of music used in the film. The voices on "Gun Court" again coming from the location recordings. Also used in the film are "Districts" and "Field Characteristics" from "Closed System Potentials"." K. Leimer, February 1982 New Music Series.
Label: Palace Of Lights Catalog#: NMS. 02/2000 Format: Vinyl, LP Country: US Released: 1982
Gibex R003 2008 (CD) 1 Village/Evening News 7:02 2 Madness Beyond the Hills 3:55 3 Resting Place 8:25 4 Street Corner Walk 4:32 5 Slipstream 7:56 6 Leviathan 7:52 7 Dreamland 2:15
Michael William Gilbert - Synthesizers, samplers, piano & percussion Tony Vacca - Percussion (3) Tim Moran - Soprano sax (1), flutes (3,5), bass clarinet (4), alto sax (7) David Moss - Solo percussion & voices (4) Salvatore Macchia - Acoustic bass (3,5) Royal Hartigan - Drums & percussion (5,6) Molly Scott - Voice (3) David Wertman - Acoustic bass (1) Charlie Miller - Dumbek (1)
"I find much contemporary and electronic music suffers from a coldness or soullessness; as a result, I have tried to make mine a more human music, a fusion of synthesized, instrumental, and natural sounds. When composing, I electronically orchestrate each piece into a soundscape. The music is not just a simple mixture, but a genuine synthesis of pan-cultural musical styles. Above all, I want to make my music sing!"
Michael William Gilbert grew up in Connecticut and Brussels, Belgium. It was while living in Europe that he first encountered the music of Varese and Pierre Henry, as well as the musics of India, Africa, and Japan. After studying electrical engineering at MIT, he continued studies in music at the Boston School of Electronic Music, where he later worked as a teacher and designer of custom synthesis systems. He graduated with a degree in music from Hampshire College and shortly thereafter became the technical director of electronic music at Amherst College, Smith College, Hampshire College, and the University of Massachusetts/Amherst. He has taught electronic music at the University of Massachusetts and at Holyoke Community College.
Gilbert has been composing and recording actively since the 1970's. In 1978 he released his first recording, "Moving Pictures", on the GIBEX label. "Moving Pictures" takes a step towards humanizing electronic music with prominent use of wooden flutes, percussion, and voice to complement the synthesized textures of the compositions. "The Call", Gilbert's second album, is a more mature realization of his goal to create a more human music. It grew out of the desire to set new jazz influenced solo parts against a background of drone, percussion, and environment evocative of Eastern musics."The Call" marked Gilbert's first collaboration with multi-wind and reed player Tim Moran, avant-garde percussionist/vocalist David Moss, and bassist Salvatore Macchia. "In the Dreamtime", initially released on the Palace of Lights label, is a refinement of work begun on the first two records. This album uses the theme of dream imagery, exploring and merging the distinctions between electronics, new jazz, and world music, and also features collaborations with Moran, Moss, and Macchia.
His first releases on CD, "The Light in the Clouds" and "Point of Views", bridge the gaps between diverse world musics. A collaboration with master percussionist Tony Vacca, acoustic bassist Salvatore Macchia, and synthesist Roy Finch, "The Light in the Clouds" brings together African, Jewish, Christian, and Shinto musical traditions and melds them with crystal clear sounds and rhythms into one music. "Point of Views" is a stunning solo recording realized within a MIDI based studio, weaving elements of jazz, world, electronic and new musics into "an ethereal and beautiful blend!" "Point of Views" received 4 stars in Downbeat Magazine. It successfully creates the sound of an ensemble of players yet is a purely solo work, with a collaboration by Tony Vacca on one track. Gilbert signed a recording contract with PENTA DISC Recordings in Canada (distributed by WEA) for release of music from this repertoire as well as additional new compositions. Gilbert's music has been played in concerts and festivals in North America and abroad and has been used by choreographers in conjunction with modern dance works. Among these choreographers are Susan Waltner, Valerie Feit, Jan Wodynski, and Paula Josa-Jones. Gilbert has also scored films by independent filmmakers, and recently worked on music for "The Nightingale Princess" http://www.thenightingaleprincess.com/ , a film by Chris Dreisbach, Owen Granich-Young, and Daniel Gilbert.
Michael William Gilbert is currently a computer research analyst at the University of Massachusetts/Amherst, where he is engaged in investigating internet media technologies, streaming protocols, multimedia, and supporting the Office of Information Technologies' provision of Internet service to the campus and UMass community. He has a current CD, "Other Voices", which features both unreleased works with contributions by Tony Vacca and Roy Finch, and more recent new compositions. He is also currently remastering and releasing his first three LP recordings, "Moving Pictures", "The Call", and "In the Dreamtime" on CD. http://www.cdbaby.com/cd/mwgilbert6
Arturo Stalteri - E Il Pavone Parlo'Alla Luna Wally Badarou - Back To Scales To-Night Eric Nagy - 救世軍 対 サックス Eric Nagy - 退屈した客引き男 Eric Nagy - スプリングクリーニング Eric Nagy - 地下鉄オペラ Eric Nagy - ベルと競りのうた va Texture: A Compilation Of Minimal Ambient Guitar Robert Fripp / Brian Eno - Even Spaces 石川鷹彦 - 無限なるこの大空 ～ストレスを解消するための～ THE FIRMAMENT St.GIGA DAT or TAPE 岩手・花巻／風の中のイーハトーボ (Ambient Soundscapes 8) St.GIGA Sound Calendar 1992etc Map Magazine map vol.2 SOUND SCAPE K.Leimer - Mind And It's Likeness K.Leimer - Natural History K.Leimer - Transluscent ... K.Leimer - Memory Steve Winfield - Forest Flower Colette Roper - Piano Pieces Vincent le Masne et Bertrand Porquet - Guitares Derive Gabriel Lee - Another Paradise Peter Cusack - After Being In Holland For Two Years
彼の数ある作品にはとてもよいアンビエントアルバムがあります。LP4枚組「Trial By Intimacy (The Book Splendours)」の一枚である（その後、CD再発／現在廃盤？）は、David Sylvian「Gone To Earth」のような地平線サウンド×K.Leimer「Land of Look Behind」のニュー・ウェーブ感覚の小品集。素晴らしい。
